My moleskine notebooks are devoted to poetic work and preliminary
studies of calligraphy (especially of Tibetan calligraphy). I bought
this year two diaries 2005, a large one where I note many poems and a
small one (on the picture) where I let speak chinese or japanese
brushes with Indian ink. This poetic work is articulated around the
poetic concept of ‘noème’(A. Borer), of haïku, flow and close
relationship with the world or immediate seizure of it. This approach
led me to work with techniques of painting and calligraphy of Far East
(Tibet, China and Japan).
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Image link: Moleskinerie/FLICKR