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« July 2007 | Main | September 2007 »

Featured Artist: Antonio Marras

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Antonio Marras
is one of the most interesting of today’s fashion designers. Born in Alghero in Sardinia in 1962, Antonio Marras had no formal schooling in fashion but, via his father’s fabric store, developed enough of a passion for textiles to convince an entrepreneur from Rome to back him to create his first ready-to-wear collection in 1988 named Piano Piano Dolce Carlotta - after the Robert Aldrich horror movie of the ’60s. Winning the Contemporary Linen prize for a wedding dress that revealed the Sardinian influence which is his trademark, in 1992 he decided to concentrate on one collection, finally making his haute couture debut under his own name in Paris in 1996. Ready-to-wear followed in Milan in 1999, with the shapes and colours of Sardinian costume again a major influence, together with Byzantine symbolism. Marras continues to make Sardinia his home, living and working with his extended family in a home-workshop overlooking the sea.

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Learn more about the new Moleskine City Notebook.

Learn more about Detour Exhibitions.

Dealer List (.pdf)

The Art of Gabi Campanario

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I discovered Moleskine a couple of years ago. Bought my first one in 2004 but didn't really use it until recently, then I was hooked. I use it mostly during my commute to my job as news artist at the Seattle Times to sketch fellow bus riders and people on the street waiting for their bus. It's always on my backpack.

I went to Journalism school in my native Spain and have worked in newspaper art departments since graduating from college in 1992.

Gabi Campanario

Visit his website.
View his works on FLICKR

7785 Discover and join our Moleskine communities on LiveJournal, MySpaceMoleskinerie FLICKR, FACEBOOK and Meal Moles. Get out - have a life and write about it. See you on Monday.

Books without words inside.

Rck

"Those us out there who use Moleskine, we do have an attachment to them — in front of us stands a finite number of lines to trace the circles of our own stories. A sense of ownership of the words written within, even though the book itself is just another product in the current of commerce and stream of marketing. That fact aside, there are some elements about the book that make it the only option, at least for now. (After all, Innovation is always close by.)

Some of those elements include: a pocket to collect the scraps of experiences, and a hard cover that protects the pages from the elements and travails of travel. It’s a sturdy thing, at least on the construction side. Even when I’ve crammed the pocket full or ripped out blank pages for quick notes and such, I find that the elastic-banded pages get out there and back, with lines to spare for an address, a number, or an anecdote (rarities in this era of “Let-Me-Get-Your-Number-In-My-Phone-So-I-Can-Scroll-Over-It-Every-Few-Days-Good-To-See-You-Again.”)..."

AJM
errata non grata

Image: recklesslycurious @ moleskinerie/FLICKR

[Originally posted 6.29.05]

GTD Moleskine with Inverted Tabs

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I love my moleskine notebook, it just feels nice. I need a way to structure my books, and get to sections quickly but I hate those sticky tabs GTD addicts use to organise them. They just get bent, or pushed out of place, or lose their stick. I carry my notebook in my bag, my pocket, in my cycling backpouch. Anywhere. Stuff just gets bashed.

I would much prefer a simple cut out ‘inverted tab’ like you get in old diaries to mark the months. A tool to achieve these would be amazingly useful, like a mutant stapler or nail clipper. To test the idea I got out the trusty Stanley knife:

Inventoids

[via Lifehacker]

Vacation Moleskine

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My wife Virginia napping while I sketch her during a vacation
on Cape Cod

        I  run a small family owned art store in  Massachusetts I am very busy and although surrounded by creative supplies and inspiration, I hardly find time to express myself creatively. I stumbled on the Moleskinerie site one day a few years ago, and since I new the product, I started doing a little art play in a Moleskine of my own. through this site, and some other sources, I've been inspired and now I keep it with me wherever I go.

  Most recently I vacationed on cape Cod, and found a little bit of time ( I have 3 kids) to sketch and write.

I primarily use Copic Multiliner sketch pens and watercolors (even though the sketchbooks are not exactly watercolor friendly paper). I especially enjoy how a moleskine bulges after 6 months or so of adding to it.

Andrai Whitted

The Sketches of Fernando Cinquegrani.

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Pages of beautiful drawings by Fernando Cinquegrani.

Check it out.

[Grazie Santo!]

© Copyright. FC

10 Things to Write in Your Notebook

Allen I have been a long time fan of using a notebook as a tool for self-improvement, as a journal or just as a place where I can do some brainstorming. I am a proud Hipster PDA and Moleskine user and with that in mind here are 10 different things I like to write in them.

1) New words that I have learnt that day.

2) Mind maps of my goals for the week, month, year.

3) Creative writing such as poems and short stories.

4) Mental stresses and tensions that I notice I feel during the day, the thoughts I felt that caused those stresses and alternative more positive thoughts in order to reduce those stresses for the future.

5) Sketches to exercise the right side of the brain.

6) Reviews of movies, music or television etc.

7) Books I want to read in the future, movies I wish to see and music I wish to listen to etc.

8) General “dear diary” prose including my observations, thoughts and feelings relating to the day.

9) Any physical tensions and what may have caused them.

10)Ideas for my blog.

What do you write in your notebook?

"10 Things to Write in Your Notebook"
By Allen.Galbraith

Visit his blog.

Indian Summer by Tim Baynes

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JET BOY

I am travelling into the interior, from Mumbai to New Delhi (700 miles) with three Chinese ladies. All this courtesy of Jet Air a full flight in the world’s smallest 737 replete with screaming two year olds placed strategically throughout the aircraft.

I had arrived in Mumbai on Thursday midday and was disappointed not to find pigs in the airport car park as reported by Mike. I billeted at the Taj Lands End in Bandra. The Bandra district is home to most Bollywood stars so I felt quite at home in this massive hotel with mock regency interiors.

I have been assiduously following sundry ‘Advice to Travellers’ - only bottled water, keeping tooth brush in a sealable polythene bag, avoiding salads and fruit (never a chore).  Therefore, so far, I have experienced no untoward feelings in the downstairs department.

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METRO MUMBAI

The experience so far has been strictly metropolitan; two upscale restaurants, the later serving exquisite sea food (curried strongly) and on the first evening a visit to a disco. Given my paranoia in relation to diet and staying off the toilet, I was concerned about the name of the venue; the invitation to the ‘ice breaker’ party was at a club called Poison

QUOTE “Poison is one of the most famous night spots of Mumbai, and probably one of the very few place that are likely to be active on a Thursday Night J However, being more of a lounge / night club, they do not serve dinner. We have made sufficient provisions for appetizers…but just thought ill point this out so that everyone can prepare accordingly”

No matter – it was hip hop night (excellent music and I was familiar with most of the artists featured) and by the time I left at 12:30 am the queue of well dressed, highly attractive young people had wrapped itself around several blocks.

Mumbai_the_poison_club
BLOW UP

One or two drawings completed, on Saturday morning, I emerged from the chiller cabinet/hotel lobby out into 30 degrees of heat at 9 am to make a picture of the Rock View Hotel, out on to which I look each morning from my room. The hotel was one of the 10 locations bombed one Friday in 1996. The bombed out rooms stared back it me as I looked out of my hotel room. I later learnt that an internecine dispute has prevented the Rock from being redeveloped.

Now I look forward to Delhi hopefully without the belly as I stare at my in-flight snack.

DEHLI: STAGE TWO OF THE JOURNEY – ABOARD FLIGHT 407 SINGAPORE AIRLINES TO SINGAPORE

Well the airport car park Delhi was more interesting.  A ‘take charge’ porter in luggage reclaim took charge. He got us through the crowds and followed the hotel driver dutifully to the car park. Along the journey he ‘collected’ a few other men who also claimed to be porters and wrestled him for the trolley

The closer we got to the people carrier the more disturbing the fracas. I was keeping an eye on the girls, herding them together and got some cash ready to bung our porter from reclaim. Whatever, I gave him the money and ducked swiftly into the van and let them sort it out.

Sunday morning marathon sightseeing in Delhi and in the afternoon the drive, 210 kilometres to Agra to see the Taj Mahal the next day: the Wonder of the World who’s  name that launched a thousand take-aways.

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DEHLI MOSQUES AND LUTCHENS

King George V commissioned architect Edwin Lutyens to layout out the central administrative area of the city - very different from designing large houses in the Home Counties of England. At the heart Lutyens placed the impressive Rashtrapati Bhawan, formerly the Viceroy's House and the arresting India Gate. He collaborated with fellow architect Herbert Baker to create an impressive body of Edwardian architecture topped out with distinctly Moorish features. It is now known as the LBZ in Delhi – the Lutyens Baker Zone.

Our Toyota people carrier cut it way through the crowed Chandni Chowk market area and getting out and clambered up the almost sheer flight of steps to the Jama Masjid Mosque. Jama Masjid was commissioned by the Mughal Emperor Shah Jahan and is one of the largest and best known mosques in India. We left our shoes at the courtyard door and I donned a wrap to cover my bare legs. The building, in local red sandstone ascends impressively from its central court yard and in a heat the burns the soles of bear feet the whole site appears the hover above Delhi.

We were taken to the Qutub Minar is the tallest brick minaret in the world, 72.5 metres high (237.8 ft) It is  significant example of Indo-Islamic Architecture, inspired by the Minaret of Jam in Afghanistan and  now listed as a UNESCO World Heritage Site. It towers above us, made of fluted red sandstone, covered with intricate carvings and verses from the Qur'an. In 40 degrees of heat we drifted around the surrounding buildings among many fine examples of Indian artwork all built around 12th century.

Visit his site.

View more of his art.

Synchronicity: Moleskine, Macy's, Strand

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Been in Macy's Herald Square store twice and finally I found from one of their 40 wooden escalator stopped right before store closed, the lighting was perfect so with no particular reasons, I just dropped my M on the floor and took this picture.  It was 13th Aug 2007.

These escalators are probably the last wooden escalators in New York.  Otis "L-type" escalators with their distinctive wood treads have operated in Macy's since 1927.  According to Otis' web site, the same model being "Australia's first escalator, featured timer treads and balustrades was installed in 1924 in the Lavender Bay Railway Station in Sydney and was retired in 1971" there.

You can clearly hear the wood clicking sound and somehow it is not annoying to me.  The sound these escalators produce, was heard by billions of people, only in different eras.

Patrick Ng
More at his blog.

© 2007 PN

New Beginnings: Rediscovering Paper in a Digitized World

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Recently I was ruminating on the idea of how our digitized world is not very sustainable. When I speak of sustainability I refer to the ability to continue down a certain path and be able to continue with this process and maintain it at a certain level indefinitely. Now, I do not believe our current path of “digitizing” everything is entirely feasible, and in my opinion it is definitely not sustainable. We encounter issues on a daily basis regarding our passion for digitizing everything. We sometimes lose our digital artifacts on our hard drives or we simply lose everything on a corrupted hard drive. We misplace our digital media (cds + dvds); we have energy (battery) problems with our electronic devices and are not able to use our digitized media anytime, anywhere, without a source of energy. Furthermore, we have trouble synchronizing our media players and continue to live in a digital world which breeds incompatibility issues through proprietary products and services.

Where am I going with this stream of thought? Well, simply stated, I believe that there is a limit to the “digital” world and that we are reaching that limit. Many of us are simply tired of our dependency on electronics and digitized media and want to return to what is tried and true and what feels most comfortable to us. Paper is one of those basic composites in our lives that we are confortable with and love. Hand in hand with “paper” we are now engaged in a “Pencil Revolution” to reclaim our right to record our creativity on humanities medium of choice, paper!

"New Beginnings: Rediscovering Paper in a Digitized World"
By MAMK

Detour/MoleskineCity.com

Photo: "Pen" by notashamed on Moleskinerie/FLICKR