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« January 2008 | Main | March 2008 »

Anatomy of Restlessness.

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I am finishing up Bruce Chatwin’s Anatomy of Restlessness. Being jobless and stuck in my apartment most days while Mrs. P is at work, I found this book both thrilling and depressing. I am a big Chatwin fan, but I especially enjoyed this posthumous publication because of the honesty of a few of the pieces, such as “I Always Wanted To Go To Patagonia” and a letter wherein he spells out the plan for his great book on nomadism/restlessness that never got written. I mean, Chatwin was a little…pretentious at times, such as when, in The Songlines, he spelled out how awesome his black notebooks were in such detail that an Italian company was able to reproduce them ten years later. I mean, I confess an addiction of sorts to those little treasures, so I think this is a good thing. But in an interview, maybe. In the main text? Pretentious? Or maybe brave? A little soul-baring? Chatwin says that the man he was talking to looked at him, when Chatwin told him about his precious notebooks, as if he had never heard anything more pretentious. Did that happen, or did old Bruce imagine that in some kind of self-consciousness?

JG
More at "Pragmatik"

All Rights Reserved © 2007 JG

Exhibition View the First Annual Moleskinerie Exhibit.

Discover and join our Moleskine communities on LiveJournal, MySpaceMoleskinerie FLICKR, FACEBOOK and Meal Moles. Get out - have a life and write about it.

Happy Leap Year Day!

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From BoingBoing:

"To celebrate Leap Year, Doty sent out this delightful card of a Rube Goldberg-style machine designed to get you out of bed. Doty sends out a card for nearly every season and holiday. I think it's because he finds a lot of joy in life..."

LINK

via Mark Frauenfelder

Custom Engraved Moleskines

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You've seen the "Unicorn". Now you can create your own.

"We now offer an online custom engraving service that makes it easy to upload custom images, and even engrave a title on the spine. We offer royalties on submitted art and are quickly putting together an 'artist series'

Joe Mansfield @ engraveyourbook.com

[Note: These entities are not affiliated with Moleskine®  and the Moleskinerie blog]

Sighting: "The Prestige"

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Over the weekend I finally watched the DVD of The Prestige (2006). The story revolves around two competing magicians, much of it around their journals that contain their secrets. Great movie, highly recommended.

Chris M.

"The Prestige"
Movie link
IMDB profile

An Introduction to Journal Writing

I've received quite a few requests to repost this classic:

Tpr

Douglas Johnston of D*I*Y Planner is starting a new book project and shares the first draft:

"Journal writing. What a terrifying and intimidating concept to many of us. It's rather like keeping a diary, some consider, but one we have to take far more seriously, and one that will shame us to the core should its ill-conceived words be read by another. Others conjure up images of literati sitting in Parisian cafés, sipping expressos by day and sucking back brandy or absynthe by night, committing all their complex thoughts about la condition humaine to their sacred little notebooks. Still others, beguiled by the mysterious power of becoming a creator, see journalling as a form of automatic writing, a way of channelling higher spirits into words upon a page, completely uninfluenced by the hand that inscribes them.

Hooey. Those are all ridiculous notions, ones that arise from fears and stereotypes. There are plenty of reasons to keep a journal, and very few of them involve any higher calling, or desire to be psychologically laid bare and naked for the world to critique. Journal writing, in its simplest form, is for collecting, remembering, exploring, and providing focus; all of us --whether we're a depressed teenager or a world-hardened scion of industry-- can benefit from keeping one, and on so many levels.

I kept a journal religiously all the way through high school, a receptacle into which I poured my overly-personal teenage angst --punctuated by alternating periods of elation and melancholy-- and collected my half-formed poems (which, of course, were about angst in a more general sense). I wrote vociferously, often churning my stomach into twenty pages a day, and made copious sketches, diagrams and lists whenever I felt the calling. I continued to spill my guts and blood --albeit in a slightly more educated fashion-- all the way through college, often skipping classes to commit dreams and wild-eyed speculation to the pages, scribbling till my right hand cramped up and then trying to write with my left one...."

LINK

[Thanks to Barbara Benton]

Photo: "Life on the Edge"
By theprint on Moleskinerie/FLICKR

© All rights reserved. Used with permission.

PARIS - the grand scale

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Dedicated to Dominique, my most favourite and the most chic ‘frog’ and Karen who put the whole trip together and got us a great table at the World Place

It was Bronwen’s choice, we wanted a half term trip, she wanted to speak French and go to Johnny Depp’s restaurant.

The flight, withdrawn from the Air Miles account was uneventfully late in arriving in CDG and caught the train into the city. We trundled through the suburbs of northern Paris with their high rise housing blocks and burn out cars, past the Stad de France scene of England’s defeat at the hands of the South Africans a day or two before and eventually emerged into a warm sunlight on the left bank of the Seine. We crossed the road and into the arms of the Pizza Iolanda for lunch. It was good to see people smoking in a restaurant; obviously the French have set aside their 12 month old ruling on smoking in bars and restaurants.

I rose early the next day and wandered around the area near our Novotel and entered into the Bistrot Linois warm and full of transient local residents quickly consuming a coffee and croissant before disappearing into the Metro.

THE RADIO MAST

The Tour Eiffel, I stood underneath it centre and looked up into the infinity of wrought iron like some great extraordinary tree. Sian and Bron bought a ticket for the top leaving me to nurse my vertigo and try to capture this amazing iron work on paper. Built in 1899 it was nearly torn down twenty years later until someone suggested it would make a great radio mast. Crowds queued for tickets, girls from northern Africa wandered around each trying to make people to read their postcards detailing their poverty. Several pairs of soldiers ambled across the piazza formed by the Tower’s four giant legs; safety catches on, posing for the occasional photograph.

Travelling along the Seine, up stream to Notre Dame, I was befriended by a delightful Korean student who caught me drawing her. We disembarked beneath the great cathedral in the heart of Paris, the heart of France, as all road distances are measured from a point not far from the steps of the West door.

Grand gothic on the grand scale, a masterpiece which begun in 1163 and took nearly two centuries to complete. Like the Eiffel its intricate exterior and interior was difficult to get down on paper. And inside it was packed with people making their way round the aisles and filing past the side chapels.

CAFÉ JOHNNY

Monsieur Depp’s magnificent restaurant, called the World Place, aka Man Ray. All major credit cards accepted.  The World Place is a vast floor space, glitzy and very 50’s. We were expecting to see Dean Martin, Sammy Davis Jr, Frank Sinatra, Bing and the rest of the Brat Pack descend the sweeping double stair case.

Around the room tall, luscious coloured women, on the arms of men with impossibly broad shoulders and tiny waists paraded, flamingo-like between the tables whilst on stage the young pianist played the occasional flat note; Sian and I gawped while Bron disappeared into the wash room to talk her photograph.

ART TRAIL

The Louvre: after the French Revolution, the salve of culture was needed and thus the majestic Louvre was transformed from palace to picture house. In 1793 the Museum Central des Arts opened to the public in the Grande (that word again) Galerie from where the collections gradually spread to take over the entire building. Anne of Austria’s apartments were taken housed the antique sculpture galleries and she was, presumably housed elsewhere in the palace!

More recently sticking a glass pyramid in front of this Baroque facade is the ultimate gesture, only in Paris. And so the Louvre, fabled for its vastness, continues to grow this day, art on the grand scale, a building on the grand scale the Louvre is a city within a city. As we make our way to the entrance ticket machines we pass through a shopping mall (all art stuff), past the Post Office and the temptation of Starbucks.

Everyone wants to see the Mona Lisa. The gallery is, like Notre Dame, full to capacity and the lady with the enigmatic smile is cordoned off so people can file past, gaze and move one, occasional an out stretched hand rises above the heads in the queue to fire off a digital camera.

Artistic counterpoint: Musée d'Art Moderne de la Ville de Paris. A wonderful collection housed in part of the Palais de Tokyo which was built as part of the International Exhibition of 1937. the Museum of Modern Art was officially opened in 1961, before entering take time to admire the post modern fascist architectural exterior, spray paint typography and skateboards. Inside, build in a moment for an excellent brownie in the Musée cafe!

Then you can see works by Robert Delaunay, Jean Fautrier, Christian Boltanski, Georges Rouault, Robert and Sonia Delaunay, Raoul Dufy, Marcel Gromaire and notably two of the three Henri Matisse triptychs of La Danse (1931-33) and La Fée Electricité (1937) by Raoul Dufy.

Finally our time was running out: Service is again something that Paris does on a grand scale or rather it takes a big delight in providing its unique blend of surly waiting on table, the prelude to the most excellent Steak Frites, with a dainty half bottle of Médoc. So my proposal to return to the Linois was accepted by the girls for our last meal in Paris before returning home early the next morning.

Tim Baynes

Check out his blog
Visit his online gallery

© 2008 TB

The Sketches of JazzBa

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I'm now a graduate student in SCAD and major in illustration. What i'm doing now is to strengthen my basic drawing and rendering skills and hope someday I could really establish my own way to interpret what's happening in the world. Most of my illustration works were done in Acrylics. Acrylics is something I'm OK with to finish my works. But my personal favorite material is graphite, just black and white.

JazzBa
Savannah, GA, US

View on FLICKR
© All rights reserved

Poem by Carla Chait

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Moleskine

you’re so thin

let me have you for dinner

I promise to fill you up from within

even if it kills her

Who cares if she’s practically vegan

we’ll have sirloin all over


Moleskine

you’re brimming

with unwritten inventions

I cannot resist your credentials

please let me become residential

I promise to satisfy your potential


Moleskine

I’m dim

won’t you be

my light at the end of the tunnel?

It’s fundamental

I realise

that in this life

there is only so much material

that’s for the finding

And I would be delighted

if you were to be my binding


© 2008 CC

Photo:ABF
© All rights reserved

Movie Notebook

Therewillbebloodposter2

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Lani Teshima and Donald Friedman alerted us about Daniel Day-Lewis' notebook in "There Will Be Blood":

There are little peeks at what looks like a pocket-sized notebook, but there is a scene where Day-Lewis's character is in a meeting with some bigwigs when he slaps his notebook down on the table. It lands, and the camera stays on the view so that you can very clearly tell the telltale signs of the pocket Moleskine, with its hardcover black cover and elastic band!

Movie link

[Originally posted 1.21.08]

 

Christian Webber: Supersized

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Here's a couple of close up scans from Christian Webber's notebook.

Related post